Dr Rhian Vaughan, MA, PhD
Music Therapist (HCPC registered)
Dr Rhian Vaughan carries a caseload of eleven to fourteen people at a time, which is the first thing worth knowing about her, because it is roughly what a music therapy caseload looks like and it is a long way from the impression given by a two minute video. Her work is split across an older people’s mental health service, an inpatient stroke unit and a small amount of private practice, and a typical course of sessions with one person runs for months rather than weeks. She is registered with the Health and Care Professions Council, which in the UK is a legal requirement for anyone using the title music therapist, and she holds an MA in music therapy and a PhD.
On this site she is the reviewer who holds the writing to the register. That means three particular things. First, that the site describes what a registered arts therapist actually does, including the parts that are unglamorous: assessment, goal setting, notes, supervision, multidisciplinary meetings, and the discharge conversation. Second, that the boundaries between modalities are drawn where they really fall, so music therapy is not quietly credited with what a dance movement psychotherapist does, and neither of them is confused with a community singing group or an activities coordinator. Third, that no description of a session on this site is invented. If a page says a session might open a certain way, she has either seen it open that way or the sentence has come out.
She reads the clinical claims against HCPC standards of proficiency, the professional frameworks published by the British Association for Music Therapy, and the trial and review literature, and she is the person who insists that “a therapist would typically” is only written where it is true across the profession rather than true of her own practice.
There is one thing she will not do, and it is worth stating on her own page rather than burying it in a policy. She does not comment on a named person she has not met. Not in a session note read out to her, not in a description of somebody’s father in the forum, not in a message asking whether a particular therapist is any good. A registered therapist assessing someone she has never seen would be practising badly, and no amount of detail in the question changes that. What she can do is describe how the work is meant to be done, which is what the rest of this site is for.
Articles reviewed by Dr Rhian Vaughan
- Art Therapy for Children: Schools, CAMHS and Who the Picture Belongs To
- Art Therapy and Art Psychotherapy: The Regulated Profession Behind the Word
- Art Therapy or an Art Class: The Difference Is Not Talent
- Arts in Care Homes: Who Delivers It, and What Is Actually Expected of a Home
- Arts in Hospitals: What the Programmes Are For, and What They Can Claim
- Arts in Mental Health Inpatient Units: Therapy, Occupation, and Knowing Which You Are Offered
- Arts on Prescription: What the Term Means and How a Place Is Arranged
- Consent and Safeguarding in Arts in Health: Capacity, Photographs and What Cannot Be Shared
- Arts on Prescription Around the World: What Is Documented in Each Country
- Creative Work at the End of Life: Legacy Pieces, Memory Books and Who They Belong To
- Craft, Making and Mental Health: Knitting, Pottery and Men's Sheds
- Dance and Health: Exercise, Therapy and a Social Night Out Are Three Different Things
- Dance Movement Psychotherapy: The Profession, the Training and the Missing Protected Title
- Dementia Choirs and Singing Groups: What They Offer and What Has Been Measured
- Dramatherapy in Mental Health Services: Wards, Forensic Units and Evidence
- Dramatherapy: The Fourth Protected Title and the Least Known One
- Finding a Dance for Health Class: How They Are Organised and What to Ask
- How to Find a Music Therapist: Registers, Referrals and What to Ask
- How to Get Referred to an Arts Scheme: The Specific Ask That Works
- Live Music on Hospital Wards: The Consent and Noise Questions Nobody Raises
- Music Therapy After Stroke: Walking, Speech and Mood, Graded Separately
- Museum Prescriptions: How Gallery and Museum Schemes Run, and What Has Been Evaluated
- Music Therapy in Palliative Care: What It Is For, and Why It Is Hard to Measure
- Music Therapy or a Singing Group: How to Tell Which One You Are Being Offered
- Music Therapy: What It Is, Who Delivers It, and What the Trials Show
- Personalised Playlists for Dementia: A Headphones Intervention, Not a Therapy
- Seated and Chair Based Dance: What Adapting It Changes, and What It Cannot Replace
- Social Prescribing Explained: What a Link Worker Can and Cannot Arrange
- Starting an Arts Programme in a Care Setting: The Practical Page for Managers
- Therapeutic Writing and Photovoice: Useful, Unregistered and Often Mislabelled
- Training as a Music Therapist: The Postgraduate Route and What It Demands
- What Happens in a Music Therapy Session: The Room, the Instruments and the Hour
- Training as an Art Therapist: UK and US Routes, and What the Credentials Mean
- What a Ten Week Arts Course Involves: The Shape of a Scheme, Week by Week
- What Happens in an Art Therapy Session: Materials, Silence and the Image
- Who Pays for Arts on Prescription, and What Happens When the Money Stops